Well, due to the lack of comments on my last post, I assume no one's too distraught by my absence. I've been watching way too much tv, and the syncs really just keep rolling in. Fear not, I am still a full time synchromystic. I just hope my computer in Atlanta still works. I should be back there in january.
Merry christmas and happy new year everyone, I'll be back blogging soon :)
Monday, December 21, 2009
Friday, December 4, 2009
Downtime (computer problems)
My blog will be inactive for all of December due to my laptop crashing. Sorry everyone :( nothing I can do about it right now.
- tommy
- tommy
Sunday, November 29, 2009
Official Newsletter for Hermits Published
"Not Everybody Can Be A Hermit"
9 - The Hermit
Hermit Crab (Cancer/Moon/9)
(CBS) Deep in the woods of western North Carolina, 3,600 feet up a ridge of the Great Smokey Mountains, you will find Karen and Paul Fredette busy filling their unique niche among hermits.
"We feel we have a ministry to hermits and that's what we have committed ourselves to," Paul Fredette told CBS News Correspondent Dean Reynolds.
They do it by publishing a quarterly newsletter named "Raven's Bread" to those for whom soul-searching solitude is sublime.
"Obviously not everybody can be a hermit," Fredette told Reynolds.
According to Karen and Paul, hermits are living in plain sight among us, some even in city apartments. They're a part of society - one step removed - that desires a life of contemplation and believes quiet thoughtfulness has a social purpose.
"Simply a person who lives alone, by choice, for spiritual reasons," Karen Fredette told Reynolds.
9 - The Hermit
Hermit Crab (Cancer/Moon/9)
17 is inverted 11:11
Just wanted to show something I worked out in my head the other day while doing my usual "staring at numbers" thing:
I looked at 4 and realized it is just an upside-down merged 17. 4 is of course 11:11 (1+1+1+1). Multiply the rotated 17/4/22 by 3 (as in 3-17) and you get 66 (all roads in this equation lead to 6 - 3x17 is 51/6, 3x4 = 12/6+6), the number of the Qlippoth in Kabbalah (as noted by numerous other bloggers). Considering the 11:11 is flipped to create the 17, perhaps this is related to the vertically mirrored Tree of Life used in Qlippoth magick. Just a thought.
I looked at 4 and realized it is just an upside-down merged 17. 4 is of course 11:11 (1+1+1+1). Multiply the rotated 17/4/22 by 3 (as in 3-17) and you get 66 (all roads in this equation lead to 6 - 3x17 is 51/6, 3x4 = 12/6+6), the number of the Qlippoth in Kabbalah (as noted by numerous other bloggers). Considering the 11:11 is flipped to create the 17, perhaps this is related to the vertically mirrored Tree of Life used in Qlippoth magick. Just a thought.
Wednesday, November 25, 2009
Star Trek Stargate
While watching the movie Star Trek (which I'm sure everyone's sick of hearing about by now), there was something involving the very beginning of the movie and the climax which stood out to me as being very symbolic of the 9/11 stargate ritual. Even the title "Star Trek" has the pieces in place, relating travel with stars. The whole thing is basically 9/11 in deep space, as seen through the eyes of the "world government", or the Solar Cult if you wanna call them that.
At the beginning of the movie, Captain Kirk's father sacrifices himself by flying his ship into Nero's mining vessel. This reminded me of the first plane flying into the World Trade Center tower. His son is born just before he does this, giving Stargate resonance.
Here is his ship flying towards the mining vessel (which to me looked like it had cephalopod tentacles, and seems to act as sort of a "Dark Pillar", clearer shot below):
Here is shortly after Kirk sr. crashes his ship into the vessel, with a big star behind it:
Just after this scene fades out, the title of the movie appears.
Now, it's already interesting that the guy who did this act extremely similar to the 9/11 attacks is considered a hero. But they aren't finished opening the stargate yet.
Spoilers below, for anyone who cares.
During the climax/end of the movie, Spock flies his ship full of Red Matter (which creates black holes/stargates) into the mining vessel. He is teleported out of the ship at the last second and survives (no surprise there). Both Spock and Kirk Sr. flew their ships into the sphincter-shaped thing on the dark mining vessel (or its beak, if you want to think of it as a gigantic space cephalopod), which is even more stargate resonance.
Spock's Red Matter ship has a Masonic/Solar Cross inside of it. His seat is triangular. A screen of it can be found in the last post.
The Red Matter which was in the sacrificed ship/9-11 plane creates a black hole/stargate (this, to me, seems to signify a blood sacrifice, blood being the "red matter"):
The mining vessel is destroyed and the Enterprise barely escapes being sucked into the newly-created stargate.
To be honest, the time travel stuff in this movie still confuses the crap out of me (the black holes somehow have a "time travel" mode as well as a "destroy everything in sight" mode, it also only took a tiny droplet of the red matter to destroy an entire planet but they decided to fly their entire supply of the stuff into the mining vessel, maybe they don't want the red stuff to be available to anyone anymore for obvious reasons), but maybe piecing that together will provide even more clues as to what this movie is trying to reveal (besides the whole "masons were responsible for 9/11" thing that seems to be apparent here).
The first step of the stargate ritual in this movie was to birth James T. KirK/Horus, and the second step was to "destroy" Nero/Green Man/Osiris, or rather send him and his dark pillar through the Black Hole/Stargate.
I also watched Titanic recently (yes, it was very hard to sit through), and noticed a whole bunch of stargate/9-11 stuff going on with the whole shipwreck scene, so I might have a post up detailing that soon.
At the beginning of the movie, Captain Kirk's father sacrifices himself by flying his ship into Nero's mining vessel. This reminded me of the first plane flying into the World Trade Center tower. His son is born just before he does this, giving Stargate resonance.
Here is his ship flying towards the mining vessel (which to me looked like it had cephalopod tentacles, and seems to act as sort of a "Dark Pillar", clearer shot below):
Here is shortly after Kirk sr. crashes his ship into the vessel, with a big star behind it:
Just after this scene fades out, the title of the movie appears.
Now, it's already interesting that the guy who did this act extremely similar to the 9/11 attacks is considered a hero. But they aren't finished opening the stargate yet.
Spoilers below, for anyone who cares.
During the climax/end of the movie, Spock flies his ship full of Red Matter (which creates black holes/stargates) into the mining vessel. He is teleported out of the ship at the last second and survives (no surprise there). Both Spock and Kirk Sr. flew their ships into the sphincter-shaped thing on the dark mining vessel (or its beak, if you want to think of it as a gigantic space cephalopod), which is even more stargate resonance.
Spock's Red Matter ship has a Masonic/Solar Cross inside of it. His seat is triangular. A screen of it can be found in the last post.
The Red Matter which was in the sacrificed ship/9-11 plane creates a black hole/stargate (this, to me, seems to signify a blood sacrifice, blood being the "red matter"):
The mining vessel is destroyed and the Enterprise barely escapes being sucked into the newly-created stargate.
To be honest, the time travel stuff in this movie still confuses the crap out of me (the black holes somehow have a "time travel" mode as well as a "destroy everything in sight" mode, it also only took a tiny droplet of the red matter to destroy an entire planet but they decided to fly their entire supply of the stuff into the mining vessel, maybe they don't want the red stuff to be available to anyone anymore for obvious reasons), but maybe piecing that together will provide even more clues as to what this movie is trying to reveal (besides the whole "masons were responsible for 9/11" thing that seems to be apparent here).
The first step of the stargate ritual in this movie was to birth James T. KirK/Horus, and the second step was to "destroy" Nero/Green Man/Osiris, or rather send him and his dark pillar through the Black Hole/Stargate.
I also watched Titanic recently (yes, it was very hard to sit through), and noticed a whole bunch of stargate/9-11 stuff going on with the whole shipwreck scene, so I might have a post up detailing that soon.
Monday, November 23, 2009
A Few More Star Trek Syncs
I sifted through Star Trek again for more stuff since there was a lot that I left out of the last post, so here's some more symbolism from this movie.
Below is the first thing you see when the movie starts:
And here is the cockpit of Spock's "red matter" carrier ship from later on:
Below, we have a "Green Lady" (just another form of the Green Man/Osiris)
Here on the screen is Chekov, age 17 in this movie. Next to his head is B4/24, Jupiter resonator:
Another shot from shortly after on another screen seems to confirm this Jupiter resonance:
See these two lovebirds in the blue and white?:
They were part of a three-man team to take out the main bad guy's big wonky drill. Here's the third guy, falling to his death (he's an ensign, even I know guys wearing red in star trek are expendable):
Red, white and blue. I think an eagle somewhere just cried. Anyway, here's the platform they were supposed to land on (which the guy in the red suit just smashes into and then gets sucked into a huge pillar of fire, it was actually pretty funny):
Kinda looks like a UFO, doesn't it? Here's a shot showing it from the bottom, almost making it look like it's meant to represent a fake UFO hanging from a string:
Here's another shot of the UFO drill, shooting down a heavenly beam (which is actually drilling a hole to the center of Vulcan in order to drop in some red matter and create a black hole which will destroy the planet):
The little machine carrying the Red Matter just happens to have hexagonal aspects:
And the two lovebirds from earlier also have this hexagon motif on their backs (which Harold clearly lurches over specifically to show off). I didn't notice the illuminated 11:11 behind them at first:
The letters on the left side of the screen spell out "Kam", which means Egypt (also note the 77 below the A):
To finish this off, here's some more screens which show pretty blatant symbolism:
Below is the first thing you see when the movie starts:
And here is the cockpit of Spock's "red matter" carrier ship from later on:
Below, we have a "Green Lady" (just another form of the Green Man/Osiris)
Here on the screen is Chekov, age 17 in this movie. Next to his head is B4/24, Jupiter resonator:
Another shot from shortly after on another screen seems to confirm this Jupiter resonance:
See these two lovebirds in the blue and white?:
They were part of a three-man team to take out the main bad guy's big wonky drill. Here's the third guy, falling to his death (he's an ensign, even I know guys wearing red in star trek are expendable):
Red, white and blue. I think an eagle somewhere just cried. Anyway, here's the platform they were supposed to land on (which the guy in the red suit just smashes into and then gets sucked into a huge pillar of fire, it was actually pretty funny):
Kinda looks like a UFO, doesn't it? Here's a shot showing it from the bottom, almost making it look like it's meant to represent a fake UFO hanging from a string:
Here's another shot of the UFO drill, shooting down a heavenly beam (which is actually drilling a hole to the center of Vulcan in order to drop in some red matter and create a black hole which will destroy the planet):
The little machine carrying the Red Matter just happens to have hexagonal aspects:
And the two lovebirds from earlier also have this hexagon motif on their backs (which Harold clearly lurches over specifically to show off). I didn't notice the illuminated 11:11 behind them at first:
The letters on the left side of the screen spell out "Kam", which means Egypt (also note the 77 below the A):
To finish this off, here's some more screens which show pretty blatant symbolism:
Sunday, November 22, 2009
A Few Star Trek Syncs
I might be late to the party on this one, but earlier today I watched the new Star Trek movie. I was disappointed by the lack of Shatner.
Anyway, I saw some numbers and other symbols floating around in it. I stopped keeping track after about 20 minutes in, so these are all from early in the movie. Once again, if someone else beat me to these, please link me in the comments. Thanks.
Turbo (turbo=13, solar number with 12 signs of the zodiac plus the Sun) C(3)-17. 3-17 is the death day of Osiris. Interesting that we see this just before Kirk's father dies, and just as James Kirk, his son/Sun, is born.
Through the 77/OZ doors...
... And into a gigantic black anus. This is actually part of a ship which just so happens to be sticking halfway out of a black hole of sorts, which kinda verifies the anus/Stargate thing going on here.
NCC - Another 3/17. It can also be an 11, and multiplied by that 3 over there on the left, you get 33 (in case the CC didn't stick out enough for you). It's a 3/17 because NC is 17 and C is 3. The "NCC" is on all of Starfleet's ships, and the Enterprise itself has a 17 next to the NCC.
Here is the Fool (Kirk) sliding towards the Abyss in his Chariot...
.. And the chariot flies into the abyss, while he is left hanging on the edge. Lots of edge-hanging done by Kirk in this movie. Not sure what it alludes to exactly, besides to incite the fear of falling into an abyss in the audience. Oh, and the music during this scene is the Beastie Boys song Sabotage, which says "I'm gonna set it straight, this Watergate" (Stargate)
Here is Spock, standing in front of a pyra-grid between some Pillar motifs, and some more Gridwork in the background. The pillars themselves have 3 upright Vs on them, for 666 of course. Also, there is a stacked MM/33 on the pillars, and a Double Chevron for readers of the Secret Sun.
In this scene, KirK gets his ass kicked on a Checkerboard floor.
Sector 47 (11), Level 3. 3 11 or 33.
I've noticed just a tad of Masonry involved with this movie. I mean, this is nothing new to anyone who watched the original Star Trek (unlike me, of course), but their uniforms are even blue and gold:
Anyway, I saw some numbers and other symbols floating around in it. I stopped keeping track after about 20 minutes in, so these are all from early in the movie. Once again, if someone else beat me to these, please link me in the comments. Thanks.
Turbo (turbo=13, solar number with 12 signs of the zodiac plus the Sun) C(3)-17. 3-17 is the death day of Osiris. Interesting that we see this just before Kirk's father dies, and just as James Kirk, his son/Sun, is born.
Through the 77/OZ doors...
... And into a gigantic black anus. This is actually part of a ship which just so happens to be sticking halfway out of a black hole of sorts, which kinda verifies the anus/Stargate thing going on here.
NCC - Another 3/17. It can also be an 11, and multiplied by that 3 over there on the left, you get 33 (in case the CC didn't stick out enough for you). It's a 3/17 because NC is 17 and C is 3. The "NCC" is on all of Starfleet's ships, and the Enterprise itself has a 17 next to the NCC.
Here is the Fool (Kirk) sliding towards the Abyss in his Chariot...
.. And the chariot flies into the abyss, while he is left hanging on the edge. Lots of edge-hanging done by Kirk in this movie. Not sure what it alludes to exactly, besides to incite the fear of falling into an abyss in the audience. Oh, and the music during this scene is the Beastie Boys song Sabotage, which says "I'm gonna set it straight, this Watergate" (Stargate)
Here is Spock, standing in front of a pyra-grid between some Pillar motifs, and some more Gridwork in the background. The pillars themselves have 3 upright Vs on them, for 666 of course. Also, there is a stacked MM/33 on the pillars, and a Double Chevron for readers of the Secret Sun.
In this scene, KirK gets his ass kicked on a Checkerboard floor.
Sector 47 (11), Level 3. 3 11 or 33.
I've noticed just a tad of Masonry involved with this movie. I mean, this is nothing new to anyone who watched the original Star Trek (unlike me, of course), but their uniforms are even blue and gold:
46th anniversary of JFK assassination
11/22/2009 = 44, Obama is the 44th president
46 is 23/Wx2/WW/64 backwards
another WW is found in today's date if you consider 1111 to be a W.
JFK assassination
Update: Twilight Language has this interesting fact about JFK: "Today is the 46th anniversary of the JFK assassination, thus matching the age of 46 for the young president at the time of his death."
46 is 23/Wx2/WW/64 backwards
another WW is found in today's date if you consider 1111 to be a W.
JFK assassination
Update: Twilight Language has this interesting fact about JFK: "Today is the 46th anniversary of the JFK assassination, thus matching the age of 46 for the young president at the time of his death."
Saturday, November 21, 2009
The Son of Lucifer, part 4
So, I'm bringing this thing back out under the synchroscope, because I strangely can't find other things to write about. I know, with everything going on these days, I should be able to find something better than a crappy movie to write about, but it sort of seems to me like we're being overloaded with stuff right now and it's pretty hard to filter it all.
This movie is a full-on symbolic assault anyway.
When we ended the last part of this series, Loki was in an antique store (or some sort of weird gift shop, I have no idea) looking for his mask. Odin then possesses the guy behind the counter, but just before that we see this huge pillar between the clerk and Loki:
The clerk is then possessed, and above the Pillar (with some sort of hexagonal Bird Cage on it) we see a painted-on banner which reads "Magic Medicine Show".
The Cage-Pillar seems to follow this Odin-Possessed dude:
Here we see the real Mask sitting in the Dog House/House of God, with Richard Arrowsmith's Paw Print Sync (one element of the Paw Print and Twin Stars theme):
And just to verify that Paw Print, we have a Binary Star in the very next angle of the scene. The first star is in the baby's crib, the second is in the bottom left of the screen:
The baby's name is "Alvey", which becomes "La Vey" (as in Anton LaVey, founder of the Church of Satan) if you shift one letter. A Pisces symbol is seen on the father's cap/crown, placed roughly over his third eye.
What's that on Dad's shirt? It's an Eagle! The numbers on his shirt, "352", add up to 10. Also, if you multiply 3 by 5, then add the 2, you get a neat 17.
In this scene, the baby turns into a stereotypical egg-headed alien, after seeing Mom blow up a Balloon (UFOs have been shrugged off as "Weather Balloons" in the past, not to mention the whole Balloon Boy thing that happened. This scene reminded me of that), and notice the blue stars flanking him on the bed sheets.
The Dog is jealous of the baby getting attention, as we see him among 8 rayed stars on the floor and a Cube just behind him.
The camera then immediately cuts to a Cross, linking Sync-nificant Symbols. The christian cross is probably the most prevalent religious symbol in mass consciousness (in America at least), hinting towards the Cube and the 8-Rayed stars (even the Dog) being just as significant in reality (especially the Cube, since a cross is an unfolded cube):
Guess what's inside the hospital? Masonic checkerboard floors!
Flying over those checkerboard floors is a Green Bee (wearing Masonic white gloves of course), which is actually Loki. Sync-stravaganza:
Here's a nice shot of him syncing with the Arched Doorway, with the checkerboard floors visible:
Bee Loki then stings a woman in the ear (very, very unpleasant scene for an apiphobe such as myself to watch), turns into her in order to browse the hospital's files, then she sees herself (mirrored/cloned) and screams.
In this scene, we see "01:39" on the clock. Yay, numbers. 1+3+9 is 13. 13+9 is 22. Either way, the sum is 4, which can be broken down again into 11:11 or KK.
"02:45" on the clock now. This is another 11, or K. The clock has shown 3 K/11s for 33.
Yet another 11/K!:
They throw in a 17 just to balance things out I guess:
I bet these screenshots of digital clocks are real interesting, huh? Try watching this movie, in this scene all that happens is the baby screams and the dad wakes up and the camera shows the time, and this happens over and over again. Just the reason I watch movies in the first place.
In LaVey's room, Dad puts the artificial breast (bottle) down next to a Lighthouse thing, forming twin pillars/towers, and another 11:
We then get this delightful scene, where exhausted Tim mistakes the lighthouse for a bottle, breaks the bulb on his arm, and attempts to electrocute the baby through the mouth. Family fun! Notice the scary reptile thing just behind Tim (what baby doesn't love a stuffed animal of a screeching reptile beast?):
The child is clearly traumatized by this event. Well, if he's not traumatized, I am. Just look at this monstrosity:
I think I'm gonna have nightmares. Anyway, that's about all I can handle for now, can you believe everything in this post takes up about 4 minutes of the movie? I sure can't.
This movie is a full-on symbolic assault anyway.
When we ended the last part of this series, Loki was in an antique store (or some sort of weird gift shop, I have no idea) looking for his mask. Odin then possesses the guy behind the counter, but just before that we see this huge pillar between the clerk and Loki:
The clerk is then possessed, and above the Pillar (with some sort of hexagonal Bird Cage on it) we see a painted-on banner which reads "Magic Medicine Show".
The Cage-Pillar seems to follow this Odin-Possessed dude:
Here we see the real Mask sitting in the Dog House/House of God, with Richard Arrowsmith's Paw Print Sync (one element of the Paw Print and Twin Stars theme):
And just to verify that Paw Print, we have a Binary Star in the very next angle of the scene. The first star is in the baby's crib, the second is in the bottom left of the screen:
The baby's name is "Alvey", which becomes "La Vey" (as in Anton LaVey, founder of the Church of Satan) if you shift one letter. A Pisces symbol is seen on the father's cap/crown, placed roughly over his third eye.
What's that on Dad's shirt? It's an Eagle! The numbers on his shirt, "352", add up to 10. Also, if you multiply 3 by 5, then add the 2, you get a neat 17.
In this scene, the baby turns into a stereotypical egg-headed alien, after seeing Mom blow up a Balloon (UFOs have been shrugged off as "Weather Balloons" in the past, not to mention the whole Balloon Boy thing that happened. This scene reminded me of that), and notice the blue stars flanking him on the bed sheets.
The Dog is jealous of the baby getting attention, as we see him among 8 rayed stars on the floor and a Cube just behind him.
The camera then immediately cuts to a Cross, linking Sync-nificant Symbols. The christian cross is probably the most prevalent religious symbol in mass consciousness (in America at least), hinting towards the Cube and the 8-Rayed stars (even the Dog) being just as significant in reality (especially the Cube, since a cross is an unfolded cube):
Guess what's inside the hospital? Masonic checkerboard floors!
Flying over those checkerboard floors is a Green Bee (wearing Masonic white gloves of course), which is actually Loki. Sync-stravaganza:
Here's a nice shot of him syncing with the Arched Doorway, with the checkerboard floors visible:
Bee Loki then stings a woman in the ear (very, very unpleasant scene for an apiphobe such as myself to watch), turns into her in order to browse the hospital's files, then she sees herself (mirrored/cloned) and screams.
In this scene, we see "01:39" on the clock. Yay, numbers. 1+3+9 is 13. 13+9 is 22. Either way, the sum is 4, which can be broken down again into 11:11 or KK.
"02:45" on the clock now. This is another 11, or K. The clock has shown 3 K/11s for 33.
Yet another 11/K!:
They throw in a 17 just to balance things out I guess:
I bet these screenshots of digital clocks are real interesting, huh? Try watching this movie, in this scene all that happens is the baby screams and the dad wakes up and the camera shows the time, and this happens over and over again. Just the reason I watch movies in the first place.
In LaVey's room, Dad puts the artificial breast (bottle) down next to a Lighthouse thing, forming twin pillars/towers, and another 11:
We then get this delightful scene, where exhausted Tim mistakes the lighthouse for a bottle, breaks the bulb on his arm, and attempts to electrocute the baby through the mouth. Family fun! Notice the scary reptile thing just behind Tim (what baby doesn't love a stuffed animal of a screeching reptile beast?):
The child is clearly traumatized by this event. Well, if he's not traumatized, I am. Just look at this monstrosity:
I think I'm gonna have nightmares. Anyway, that's about all I can handle for now, can you believe everything in this post takes up about 4 minutes of the movie? I sure can't.
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